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The Story of Elise

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ge02

JHH

Context is Everything
Author: Stephen DeVoy

Pablo Picasso - Guernica
Pablo Picasso - Guernica

Spinning a story of fiction is, in many ways, easier than writing a story of fact. Stories of real life do not have a beginning, a middle, and an end. Most works of fiction slowly build up to a climax and then quickly wind down to a conclusion. Real life is far more complicated than fiction. Real life is often long periods of boredom punctuated by significant events. The stories of a real life arise from the interactions of many stories of many lives. Any single story from the life of one person may also reflect a mere slice of several other stories of the life of that same person.

I do not believe it is possible to write a single narrative encompassing any of the stories of my own life. What is needed is a set of stories. Some of these stories run in parallel to one another, some intersect one another, some start and never end, and some end but never start.

There are many ways of describing a person. Some people are described as simple and some as complex. I think I am a very complex person. Anyone believing otherwise does not know me. Knowing me takes a very long time. Who I appear to be today may be very different from who I appear to be next week. To form an opinion about me from any slice of time is to ignore the fact that each person sees only one face, not all faces.

Each relationship forms a context. Each context is part of the mind's embodiment and embodiment plays a significant role in identity. In a nutshell, what I am in one context is not the same thing that I am in another. Until you have known me in all my different contexts over an extended period of time, you do not really know who I am.

Who is the real me? Isn't this an outmoded and quaint assumption? Is there anything we can call the real anyone? Our cells are replaced over time. Our interests change over time. Even what we like to eat changes over time. Who we wish to talk with or pass our time with can change from hour to hour. How can there really be a real anyone?

Think of your best friend and think of who you are when you are alone with your best friend. Think of how you speak in that context. Think of what you relate and how you express yourself. Now, think of yourself in a very different context. Perhaps you are walking down the street when someone wearing a mask grabs you by the head and holds a knife to your throat. Have you ever been the victim of a violent crime? I have. In that moment, are you the same person you are as when you are with your friend? Suppose you are being tormented for years on end. Maybe you're a victim of fascism held at Guantanamo. Maybe you're in an abusive relationship and your husband beats you nightly. Perhaps you're the victim of stalking by an anonymous coward. Is the you that you are under those circumstances "the real you?" Is that you any less you than the you with your best friend?

The fact is that there is no "real you." At best, there are many "real yous" which pop in and out of existence as the context changes. Some of these "yous", upon popping back into existence, continue from where they left off when they last popped out of existence.

If you are married and work at a place where your spouse does not work, you know that your married life resumes when you get home just as your work life resumes when you return to the office. Who you are in each of these context differs with context.

To tell a story from your life, you could lay down all of these different "yous" and then weave a complex narrative that incorporates all of them into one long story, but would this do any justice to the individual stories? Aren't many of the stories of your life free-standing expressions of meaning? Doesn't it take something away from these when other stories of your life and the lives of others are woven into them? Perhaps there is one most meaningful short story within your life? If that story is to be submerged within the larger boredom of your life, will it not lose its message? I think it might.

Thus, here I am laying down in letters many of the significant stories of my life. Some of these stories run in parallel and some intersect one another. Nevertheless, they are told as separate stories because I think telling them together would take their significance away. The Steve who befriended a Mexican prostitute is a different Steve from the Steve who befriended a spoiled brat from Palos Verdes, though their two stories intersect and effect one another. The Steve who was married at that time to a Vietnamese woman is distinct from these two other Steves. The Steve who protested against the first Gulf War during the same period is yet another Steve. Yes, all of these instances of myself share a common memory and a common body, but they are manifestations of my mind within completely different contexts. To call any one of them "the real me" is an injustice to "the other mes", all of which are as much me as "the real me".

These experiences have convinced me that there is good and bad in all of us. It is a reality we often wish to ignore. Heidegger, the great philosopher that he was, was also a Nazi. Benjamen Franklin, a wise and brave man, was a womanizer. Martin Luther King stood up and gave his life for his fellow man, but he cheated on his wife. A homeless man once saved my life. We all do works of good and works of evil, that is what makes us human. If you believe that the bad in a person outweighs the good, you surely do not know that person. Even Hitler was loved. Think about that. In my own case, one of the persons I loved more than any other turned out to be the most evil person I ever knew. The simple fact is that we do not really know each other and we never will. The next time you see a prostitute, a homeless person, a drunkard, a doctor, or a debutante, remember that.



Depeche Mode - Walking in My Shoes

Copyright © 2008, Stephen DeVoy. All rights reserved. No permission to reproduce is granted without explicit permission, in writing, of the author.